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Practical Vocal Acoustics: Pedagogic Applications for Teachers and Singers by Kenneth W. Bozeman

Author:Kenneth W. Bozeman , Date: March 18, 2020 ,Views: 290

Practical Vocal Acoustics: Pedagogic Applications for Teachers and Singers by Kenneth W. Bozeman

Author:Kenneth W. Bozeman
Language: eng
Format: epub
Tags: Music
Publisher: Boydell & Brewer Group Ltd.
Published: 2018-03-17T16:00:00+00:00


Figure 24: Comparison of high, close, yet robust /u/ with low open /u/.

Timbral Openings and Closings Other than F1/H2

Lower timbral closings and openings, such as those that occur at the F1/H3 and even F1/H4 junctures, can often be clearly heard as well. Earlier in the recording cited above of Ravel’s Kaddish sung by José Van Dam (See Appendix 5: Youtube Examples: Example 3), the mini-turn of the F1/H3 crossing can be heard when Van Dam sings a melisma (at one minute into the recording) on /ɑ/ as it rises from F3 to Bb3. The mini-turn happens at Ab3, about a fifth below the primary turn of /ɑ/ (figure 25).



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